Skip to content

Posts from the ‘Women’ Category

The End of March….

Time is flying, sometime I feel too fast and at other times not fast enough. I assume it is dependent on the objective; when we want something badly that is meant to substantiate in future, time cannot move fast enough; on the other hand when we dread something, well, time just seems to fly, until, we are at the eventual collision course! At this point in time, I cannot decide, what I like the most, the fast moving pace or the slow crawl; either way, life is just far too busy and reading and writing, despite best of intentions is slow. But I keep the reading going, in the hope that one day, I will find the precious equilibrium between, reading, writing, socializing and of course working!

In the meanwhile, this is what I read for the month of March –

Enchanter’s Nightshade by Anne Bridges

MVIMG_20190408_131456926

I think beautiful mother’s are just a trifle vexed, generally, to have daughters who are not. Mama would have liked me more if I had been something of a beauty! 

Time Pieces: A Whistle-stop Tour of Ancient India by Nayanjot Lahiri

IMG_20190318_220610689_HDR

This great enthusiasm for sarcastic verse in which no one, from the divine to the human, is spared, has a lesson for India today where poking fun at anyone in the public domain, especially gods and goddesses, ruffles all kinds of feathers

The Stranger Diaries by Elly Griffiths

MVIMG_20190408_131228229

I’d benefit too, I thought vaguely; a dog would keep me fit and allow me to meet other dog-walkers. Much better than a book club where there was always the danger that someone would suggest The Girl on the Train!

The Garden Party and Other Stories by Katherine Mansfield

Garden Party

Isn’t life,’ she stammered, ‘isn’t life–‘ But what life was she couldn’t explain. No matter. He quite understood.
‘Isn’t it, darling?’ said Laurie

This then was my reading for March; I wonder what April shall bring? I am only sure that I am reading A Vindication of Rights of a Woman by Mary Wollstonecraft as part of a brilliant read along hosted by Ruth. For everything else, at this point, I can only say “Que Sera Sera”

The End of February

February has come and gone and it seems like just yesterday we were ringing in 2019 and now we are already in the 3rd month; something about time flies when one is having fun! And while I would not really describe February as fun, it was atleast, interesting, as usual busy and since the sky did not fall on my head, almost kind! I did get some reading done, though not as much as I would have wanted and I am woe fully behind in both my 2019Official TBR Pile and GoodReads reading challenges! Oh! Well! It is what it is and atleast, I am reading, which for a part of last year, had practically been non existent (an unheard of event in my adult life) and am grateful for these small mercies! So what did I read in February? Here goes –

The Forest of Enchantments by Chitra Banerjee Divakaruni

IMG_20190212_131838350

Even if we love them with our entire being, even if we’re willing to commit the most heinous sin for their well-being. We must understand and respect the values that drive them. We must want what they want, not what we want for them

The Chronicles of Clovis by Saki

IMG_20190303_203800403

I can remember a menu long after I’ve forgotten the hostess that accompanied it

The Unknown Ajax by Georgette Heyer

IMG_20190221_132644891

Recollect that we have been acquainted for less than a month! You cannot, cousin, have fallen – formed an attachment in so short a time!’
‘Nay, love, don’t be so daft!’ he expostulated. ‘There’s no sense in saying I can’t do what I *have* done

Devil’s Cub by Georgette Heyer

IMG_20190226_192817_378

I am not in a heat at all,’ Léonie said with great precision. ‘I am of a coolness quite remarkable, and I would like to kill that woman.

So that was all my February reading! One look and you can see, it was primarily what can be only described as Comfort reading, but it was good comfort reading so cannot complain! The high point of the month, however, was getting selected as the Clubber of the Month, by The Classical Club! I am honored and totally pumped at this recognition! We will now see what March unfolds!

And speaking of March, while I gave making reading plans for the month more than a year ago, I did make a small resolution for the month – I will only read women authors, in honor of International Woman’s Day! That then is the plan and I am off to get head start on this by reading Enchanter’s Nightshade by Ann Bridges!

India Through The Ink….

It cannot be easy to write about a country or a people, not your own. It becomes even more challenging if you have not lived in the country you are writing about or not interacted with the indigenous population of the same country. Even when you belong to the country, it is becomes difficult to capture the all encompassing details of the land and its people; therefore for someone not belonging to the same land, it remains an arduous and difficult task. And should that country be India, with it melting pot culture, checkered history going back to 7000 BCE and more than 100 languages, this task becomes infinitely more complex, difficult and challenging! And yet, authors, scholars and travelers around the world insist on writing about this country.

This slideshow requires JavaScript.

If they have the brilliance of a William Dalrymple then, they settle down in the country and write prodigiously about it. Scholars like John Keay and the late AL Basham study the country for years before penning something so profound as India – A History and Michel Palin treks all over Himalayas before writing a book with the same name! I may not always agree with what they put forth, but I do respect the amount of love, patience and sheer effort into putting together, factually and not fictionally, that is not intrinsically their own. And this is key to the appreciation of these works; these authors do not have the luxury of editing something that they do not understand or cannot explain, into a “creative license”. The nature of their genres makes this impossible and hence my love and respect for these authors increase manifolds, especially for those writing non fiction, even if some of them, get the picture completely wrong!

Fiction however is whole different story; for years, now, India and her people have continued to fire the imagination of the world and especially the West. We have had many authors writing about India for a while, but with the British Colonial empire, India literally exploded into English literature like never before. Rudyard Kipling with all his love-hate for the the country, gave the world Jungle Book and Kim, both novels rooted in every essence to what this country is and stood for. EM Forster brought forth the racial divide, and the mounting tensions in the early 20th century India, in his polemic A Passage to India and Paul Scott captured the pain and the violence that tore apart a nation in the wake of partition of India, in his seminal, A Jewel in the Crown. And then, there stands, my personal favorite and the one author who despite her hereditary, truly was an Indian at heart, for she wrote of this land and her people, like she was one and her books resonate with the very feel and smell of India, as the country comes alive and grabs the reader – the inimitable Ms. MM Kaye. Not all her predecessors or even successors could write like Ms. Kaye wrote nor feel the power of her love, that made her stories authentic and Indian in spirit. But most of these authors belonged to an era where the understanding of the world and all her people was still limited; race and color still made a difference and there was significant paucity of information, which makes one more tolerant on the misses or the misinterpretation, and in case of Mr. Kipling, appreciate the story, without delving too much; not quite easy, but can be done!

This fascination with India in fiction, seems to found new resurgence in the 21st century and suddenly, I am astounded by the number of books based on India, has Indian protagonist or has roots in some way or form to this country. I was presently surprised by East of the Sun by Julia Gregson , tracing the lives of three young memsahibs to India as they set out as part of the “Fishing Fleet” to find suitable husbands. While historically, the book did not always jive, it did capture the society and morals of 1920s India beautifully, but the number of Indians were limited in this novel and I am not sure how the author would have fared with India and Indians as the main theme instead of a backdrop! Let me illustrate my point –  Life of Pi by Yann Martel and Shantaram by Gregory David Roberts, despite their astounding commercial success, left me cold in so many ways! And herein lies my irritation with modern authors; in these days of easy travel and access to all kinds of information, to constantly cater and pander to what is obvious crass commercialization of the traditional stereotypes of India is just astoundingly disappointing, if not downright infuriating! The first one has Spirituality and Tigers and a peace loving protagonist (gosh! what surprise!) and the second one goes to the other extreme of spirituality and slums and poverty! I am not even getting into books like The Art of Inheriting Secrets, by Barbra O’ Neil that has a Indian woman following her Aristocratic English noblewoman lover to England and then marrying an Indian man in a remote English countryside in 1940s England. In a country where woman are struggling to get their basic rights of education and independence established in 2019, that flight of fancy in 1940s is really taking the “poetic license” to fantasy. I am not denying the existence of strong women in 1940s, several existed including my grandmothers, nor am I denying the existence of homosexuality or marrying a man to keep up appearances, but all of that together in that time and age; that is way far out even for the West, but for the East, that is an impossibility of infinite proportions! Then of course we have the male modern Indian protagonist, who of course has curly hair, as Indian men never have straight hair and his brown ageless skin…what?? Also conveniently, the protagonist sprouts Rabindranath Tagore and his most cliche poems at the drop of a hat, because, of course our author never bothered to find a poet beyond the only one known in outside of India or even his other famous poems, besides the first one that comes up in Google. And just to add more spice, (of course its India so it has to have spice!) we have Indian restaurant and India food popping up every two pages! What really gets me is that even established and justly popular authors like Lucinda Riley fall into this trap of taking on a shallow understanding and wrapping up the story in all the trappings of exotic India. So in her, The Midnight Rose, where we of course have princesses and a handmaiden who has an affair and an illegitimate child and whose grandson again falls into the cliched curly haired brown skin hero. Ms. Riley took the lives of two real life Indian princesses, Princess Indira and her daughter, Princess Gayatri Devi and mercilessly intermixes and changes their lives, which in reality would have changed a very strong fabric of Indian history and Indian feminist movement. Again her protagonist while strong and strong Indian women were a reality but illegitimacy in 1920s India was not something that would have dealt with aplomb that Ms. Riley deals with, especially if the child has mixed parentage. In India where caste and affinity to your ethnic heritage, still form a large part of every day lives, a child of foreign parentage, in the early years of 1920s would have caused a havoc,  no matter which remote hilly village you hide in; infact more so there than in the bigger cities. These nuances, which are critical to understand and then portray the socio-cultural-historical narrative based out of this country is unfortunately getting more and more trampled in the competition to build a intriguing plot line with an exotic enough setting to seduce the reader. These books continue to impress upon the audience of the world, what has been stereotyped a thousand times about this country – tea estates, princesses, animals, slums, spirituality and such like! These books at then end of the day fail to bring forth, the actual India, which is a mix of all these things and so much more – there are good and bad people, there swaths of deserts and snow capped mountains, there is spirituality but there are also scholars, and while we love animals, we also can be kind and mean in equal measures and this has nothing to do with any of us being related to royal ancestry or not!!! To end, if you really want to read to about India, stick to non fiction or Indian authors or English authors circa 1850-1950s!

About Truths From 200 Years Ago – Austen In August

One doesn’t read Jane Austen; one re-reads Jane Austen.” said the very complicated William F. Buckley, Jr, but in this simple sentence he lay bare the absolute truth of Ms. Austen’s brilliance; one is never tired of re-reading her! Recently Brona over at Brona Books decided to pick up the threads of the annual event that Adam used to host “Austen in August” and sent round invitation to anyone interested in joining up! As I read through her page of people signing up for the event, many reflected my sentiments – re-read Jane Austen atleast once a year. All most all of us, who love books, classics and fiction, are devoted to Jane Austen. We may differ in our intensity in our devotion and we may argue about which of her work is the best, but there can be no denying that Ms. Austen rules triumphantly in our reading culture and preferences. And this brings me to the very heart of the matter  – Why does Ms. Austen abide even after 200 years?

I know of hundred thousand papers, books, essays that enumerate and illustrate, the many reasons why Ms. Austen continues to a be literary success inspiring generations of readers and writers alike from Edith Wharton to JK Rowling. The reasons are varied and range from the sheer brilliance of her writing to Colin Firth as Mr. Darcy as a means of reviving interest in her works! I am sure there are another hundred thousands reasons as to why we each prefer Ms. Austen in our unique way and each can be counted as a great motivation. The reason I have loved her work always, since being introduced to her at the age of 13 is many – the plot, the pre-feminist but for sure feminist heroines, the humor and that one telling quality of Austen novel – there is some truths to re-discover no matter how many times one re-reads and this truth is still as pertinent as it was in Regency England. I always loved Pride and Prejudice and Emma but over the years, Persuasions with several re-reads has become equally closer to my heart. Mansfield Park, which I could barely get through the first time round, has now been re-read atleast in double digits, because despite many more socio-economic resources being available, women in many parts of the world struggle to make independent choices with pressure of withdrawal of those material resources to keep body and soul together, until adhered too the norms set by those who control those resources. Ms. Austen keeps telling us many things, and things which still hold true 200 years, each time and this is why she endures!

Therefore to celebrate this season of Austen In August, I sought out some passages from the evergreen Pride and Prejudice which are a dead ringer for the state of today’s society, that also illustrates the genius of Ms. Austen in writing about things that were so remote from her time and social surrounding and yet managed to become a universal tale.

20170927_170510_Richtone(HDR) (1)

  • if she had not happened to see Mr. Jones’s shop-boy in the street, who had told her that they were not to send any more draughts to Netherfield because the Miss Bennets were come away – Mrs. Phillips explaining how she heard of the elder Bennet sisters returning from Netherfield, is a perfect and outstanding example of the grapevine network which continues to flourish till date and whose authenticity actually can be trusted upon more than official channels many a times!
  • Pardon me for neglecting to profit by your advice, which on every other subject shall be my constant guide, though in the case before us I consider myself more fitted by education and habitual study to decide on what is right than a young lady like yourself.”  – Mr, Collins remarks when Elizabeth tries to stop him from putting himself forward through a self introduction to Mr. Darcy at the Netherfield Ball. Sigh! What can I say except Mansplaining seems to be a generational and sometime incurable phenomena!
  • I know it to be the established custom of your sex to reject a man on the first application, and perhaps you have even now said as much to encourage my suit as would be consistent with the true delicacy of the female character.”  Mr. Collins again, when Elizabeth rejects her marriage proposal. Consent as we see in many ways and forms are “interpreted” for the woman and the whole baloney of a No being a Yes…..seriously! Where did that come from?
  • Elizabeth, however, had never been blind to the impropriety of her father’s behaviour as a husband. She had always seen it with pain; but respecting his abilities, and grateful for his affectionate treatment of herself, she endeavoured to forget what she could not overlook, and to banish from her thoughts that continual breach of conjugal obligation and decorum which, in exposing his wife to the contempt of her own children, was so highly reprehensible. Elizabeth on reflecting on her father’s conduct post the letter from Darcy. This was one those very interesting and though provoking passages in the novel. Mr. Bennet’ s marriage was not the happiest; he had simply put married a woman who looked good and did not have any other abilities. There are many things here – in the best partnerships, a partner should elevate each other and bring out the best in other. In many cases I know this does not happen but how does one some around that and make the lesser partner more acceptable in the larger world. I think this is one place where Ms. Austen attributes too much influence on the partnership of spouses. True, while it is one of the highest forms of relationship but there is only so much one an do? Or is it? Either way, I do think the truth of the last statement is key – exposing your partner’s weakness in front of the children, does not brood well for the family overall.
  • There was now an interest, however, in believing the housekeeper; and they soon became sensible that the authority of a servant who had known him since he was four years old, and whose own manners indicated respectability, was not to be hastily rejected. Mr. and Mrs. Gardiner’s reaction when realizing that Mr. Darcy was interested in their niece, when previously, they thought the Pemberly housekeeper had given an over the top opinion of Mr. Darcy simply because he was good Master.  I love this one – how often we change our own interpretation of narratives when we wish to believe something, especially if it is something good!
  • All Meryton seemed striving to blacken the man who, but three months before, had been almost an angel of light. The social reaction when Wickham’s elopement with Lydia came to light. But obviously, hindsight always becomes foresight after the destruction has happened!
  • Elizabeth, agitated and confused, rather knew that she was happy than felt herself to be so – Elizabeth feelings after accepting Mr. Darcy. One of the deep and most honest insight to human sentiments; when the longed for event finally happens, the initial feeling is more knowing the happiness than actual overflowing cheerful garrulousness!

There are so many more things that I can talk about and continue to talk about, but time and other duties all. So I end this post with something Brona mentioned in our Twitter conversation and that seemed apt with what I have been trying to say through this post  – It is a truth universally acknowledged that p&p is quite simply perfect.

About a Tree & Tenacity

Among the many hundred books lying unread in my TBR, there are many gems and some which make for a good read, some which makes me wonder how did it get in my list and then some that sing to me! The June Read for The Official 2018 TBR Pile Challenge, A Tree Grows in Brooklyn by Betty Smith sang to me in sonnets, of tenacity, hope and the power of knowledge that alone can save complete deprivation!

20180703_142006

The novel is set in the turn of century Brooklyn, where a quiet, shy child of 11 years,  Francie Nolan lives with her younger brother Neely Nolan, her mother, Katie Nolan, who works as a janitor in the building where they live and her singer-waiter father, Johnny Nolan. They are poor and food mostly consists of many variations of stale bread, and yet a penny is always saved in the a small tin bank and joys are to be found, in reading a book by the window with a snack and lemonade. Their lives are crowded with challenges and etching out a bleak living, but they are still lives full of living and small success, of chalking out a scheme to go a better school outside of your district and of managing to wangle the biggest Christmas tree through sheer grit. There is a family of aunts who are always, there to support and spoil, especially on those days when father, comes home drunk, unable to hold down a job and neighbors who come around to pull you through when needed. But then comes one of  those full stops of life, which change the directions and make Nolan’s reassess the way they had mapped out their lives and force them to find new paths, until the make it to the desired end!

A Tree Grows in Brooklyn is a wonderful coming of age book, that is not pedagogic or didactic and yet does not sentimentalize the harsh realities of poverty and deprivation in some noble glow. The novel just tells a story of things as they were, without any moralizing or martyrdom. The characters are all uniformly likable, and even when you start losing patience with some,  you are remained of their redemptive traits and made to recollect, that men and women are just that, men and woman; struggling to the best of their abilities to make better lives, one generation to another, sometime, succeeding and sometime failing! The marvelous feature of this book is that almost every reader, will find a piece of themselves in one character or the other, with their believable portraits of people in flesh and blood! The plot goes back and forth, to explain the coming together of Katie and Johnny, giving insights into some of the character traits and contradictions and then moves forward, as Francine grows into a young woman, on the eve of US joining World War 1. 500+ pages may seem a bit tedious to follow, but the story, albeit not crowded with epoch making events, nevertheless gently flows and one is never really bored, though the scenery change slowly. The book also touches upon several subjects that were pertinent to the early 20th century and in some way and form remain relevant today – the projection of certain images for women in the society, gender politics, socialism and the role of Unions in taking care of their own etc. which add an additional layer of enrichment to the writing, making it both a deeply personal narrative and strong universal story at the same time.There are many many good things about the book, but the one that I feel is the  primary achievement of this book was the sense of tenacity that comes out from all the characters and which I feel is the underlying theme of the book. The sense that if you hang on, just hang on, you will live one day and thrive! Whether, it is Francine’s conviction that one day, she will go to college and be a writer or her aunt’s Sissy’s firm belief that one day she will have a baby, despite 10 miscarriages. The book resounds with a sense of hope, especially stemming from education – the absolute faith that books and education are key to a better life and hold the promise of a brighter tomorrow. Grandma Rommely ensures, all her children except one can go to school atleast until the age of 14 and the three Rommely sisters, Katie, Sissy and Evy all in difficult circumstances are committed to the fact that their children will graduate from High School. This especially felt close to my heart – my parents filed for bankruptcy when I was very young and never really got ‘the groove’ back and it was a childhood of starvation on one too many nights and choice between fees for school or shoes to wear for school and of books which made those days pass. It was education and books that blocked out a lot of harsh reality, and instead allowed the mind to travels to far off places with many interesting companions. It was also that very hard earned education and books that sang of a promise that life will be better one day! To end this novel to me is a true testament on the power of books which has borne evidence through my own life!

All About a Film….

Wener Herzog in his masterful book on art and filmmaking, A Guide for the Perplexed, referring to the filmmaker’s broader cultural responsibility said that, “We need images in accordance with our civilization and innermost conditioning, which is why I appreciate a film that searches for novelty, no matter what direction it moves and what story it tells….”  In an era of increased flash and dash and superimposed imagery, regularly churned from the mills of Hollywood or even from the shores of Bollywood, films which captures such ideals of reflections of civilizations and its conditioning are far and few to come by. If they do, they are often slotted under the broad category of” Cinema” or “Parallel Films” making one wonder, what is the true difference between “Cinema” and a “Movie” and what is parallel to the this parallel films. Rarely, does one come across, a film that combines the reflections of societal norms with a narrative, comparable to the plot lines of the more popular and what is termed as “Commercial Cinema”.

Panchaali, a film made under the flagship  of Pumpkin Entertainment, produced by Shweta Saraf and directed by Saurabh Bali, seems to fulfill this balanced nuance of reflecting the masochist tribal norms that still inflict, the Indian society in many parts as well a gripping narrative, that leaves the viewers breathless with a “what-happens-next” feeling. The film opens with 5 men waiting, for someone, on road, just off the main thoroughfare, of the big metropolis. Through their banter, it unfolds that they are all brothers and deal in land and politics. A white vehicle is then spotted by one of them and within a few minutes, all its passengers’ albeit one are killed due to non-payment of an old debt. This one survivor, the daughter of the family killed is taken hostage by the brothers and taken to their home. There the mother of the five brothers decides the faith of this girl, setting off a chain of events that would forever change this family and its history!

For those familiar, with Indian mythology, the resonance of the Draupadi’s tale from Mahabharata is very clear from the onset; however, that is where the parallel ends! The story then takes on a life of its own, wonderfully combining the details of an ancient myth and the modern day settings and reaction of both society and individual. It conveys the still traditional society of northern India, where a woman count for little and guns and violence still rules the day and makes for what is deemed as powerful.  At the same time, the film smartly in less than 40 minutes takes the viewers through a cataclysmic narrative, all the while clearly delineating the characters of plot, something many fail to achieve even in full length cinema! It is to the credit of the magnificent cast that this nearly impossible feat is achieved and despite an exceptionally talented ensemble, that competes for the viewers’ attention, by turns, outshining one another, with their talent, some callouts are necessary! Manav Mehra, who plays the eldest of the 5 brothers, is an experienced theater actor, who brings all his mastery of the craft to the screen; one cannot quite describe the eerie feeling, every time he looks into the camera. Bhanu Rana is yet another worthy talent and in his portrayal as the second brother, displays such strong raw raging emotions that come through palpably and the viewer feels both sympathy and irritation with him in turns. Nitin Rao as third of brother gives a strong controlled performance as the man, who knows he is better than his brothers and destined to be the king, but cannot quite bring himself to unhinge from the filial binds, though, he knows he stands to gain the most! However, the star of the film remains Nishtha Paliwal Tomar, conveying all the range of emotions that a woman torn from her moorings can convey. She is an absolute genius using  who is able to express a range of powerful feelings sharing with her the viewer her fear, angst and anger, making them cheer her on to survive, as she navigates through the most traumatic experience, that a woman can be forced into. The settings of the film convey exactly what it is meant to convey – vastness, desolation and captivity. The sights and sounds of a semi-rural culture in India, not too far from the metropolis, caught between ancient traditions and modern greed, assaults your senses, in every fine twist of the plot. While, there is much to appreciate in the film, there are some weak chinks in what can be seen as solid armor; most of the cast is tenured and bring all their expertise to camera, but some of the actors fail to emote anything and one wonders, that except for the one standard sly grin, which is expected to showcase everything from anger to lust, what does this particular character want to say to the audience. Also due to the duration of the film, some of the transition and changes of sentiments are not given enough time and the viewers expected to adapt to the changing psychological landscape of the character within minutes, which may make it slightly difficult to follow. But, despite some these minor shortcomings, the film is a brilliant effort, which is a testimony to the fact that with creativity, vision and a talented crew, an old story can be reinvented into a gripping modern tale.

The Parish of Milby

Despite years of long and extensive reading, there are some authors, with whom I could not become friends. I have no idea why, because they write about subjects and settings that immensely interest me and are often much loved by many whose tastes and opinions I admire. But for whatever reasons things simply do not come together and they simply do not work for me! George Elliot is one such author. My grandmother, whose bookish tastes, my family says I have inherited loved, all her works. Many of my friends, both from the bloggish and non blogish world have often pointed out to the nuanced writing that her books brought forth. But I remained,  unmoved. Mill on Floss, made me want to throw the book at something and I gave up on Middlemarch, like 100 pages into the book. I was not meant to appreciate Ms. Elliot and there was not much I can do about it. Then last week, casting around for something Trollopian to read, but not Trollope, GoodReads threw up a suggestion of Scenes of Clerical Life by George Elliot. I was about to pass on and then for some reason, decided to give it a shot. It seemed like a short novel; only 200 pages (My error; I misread the 404 pages!) so it was not like I would lose much. Thus I began my journey around the Parish of Milby, the first ever novel by Ms. Elliot!

20180318_185947

Set in the last 20 years of 18th century, the book, which consists of 3 separate novellas, interwoven through the time and place and common characters, takes the reader through many different ideas of Church, Local Politics, Spirituality, and Domestic Abuse. The first narrative called “The Sad Fortunes of Reverend Amos Barton” tells the tale of an ordinary Curate in the parish church of Stepperton, near the the village of Milby. Amos Barton, has lofty ideals but neither posses brilliance of oratory or a commanding personality to morph his ideas and to make them palatable to his Parishoners and develop a following among them. He is married to a wonderful and devoted woman, Milly, who has borne him 6 children and their circumstances are strained due to the ever increasing family and the small stipend derived from the Curacy. However, Reverend Amos Barton, goes about his work with much zeal as he is convinced that he has an obligation to imbue his congregation with what he believes to be the Orthodox Church views! More troubles are however fated for the Bartons as their worldly and pretentious friend Countess Caroline Czerlaski takes up residence with them after quarreling with her brother, making the financial situation even more difficult and hurting Milly’s health as the latter is stressed physically and mentally in trying to make everyone around her comfortable, culminating in an terrible tragedy for the family! The second novella, “Mr. Gilfil’s Love Story” begins with the death of the much loved  Maynard Gilfil, who was the Vicar of Shepperton many years before Mr. Barton. Mr. Gilfil however unlike his successor was much loved and much mourned on his death. He had lead an admirable life fulfilling his duties and sometimes, going beyond it, never afraid to laugh and find amusement at whimsical nonsense, always concealing a deep personal tragedy that marked his life, at a very young age. Around 1788, when he was a young Chaplin at the Cheverel Manor, he fell in love with the Caterina Sarti, an Italian orphan brought up by Sir Christopher and Lady Cheverel, who took her into their care following the death of her father. Tina, as she was called, while having a very affectionate regard for Mr. Gilfil, was however in love with Captain Anthony Wybrow, nephew and heir of Sir Christopher Cheverel. Captain Wybrow, was a man of selfish principles, whose only aim was to secure Sir Christopher’s good humor and consequently his wealth and had no qualms, in abandoning his “feelings” for Tina, when Sir Christopher, unbeknownst of the feelings of Tina, directed Captain’s Wybrow’s attention and hence approval to a suitable match. This engagement, broods no good and leaves behind a slew of tragedies, destroying the happiness of all directly and indirectly involved. The third and final novella, “Janet’s Repentance” is set in the town of Milby.  The first chapter advises the reader, of the brewing storm between the people of Milby, who are divided in two fractions – one supporting the traditional teachings of Mr. Crewe and the others, supporting the newly appointed Curate at Paddingford Common, Mr. Edgar Tryan, who is an Evangalican preacher and whose opponents view him as a dissenter. The strongest opponent of Mr. Tryan is Richard Dempster, a shrewd, strong tempered lawyer, who in companionship with others comes up with schemes to destroy Mr. Tryan’s  plans. Mr. Dempster is supported by his wife Janet, who however opposes Mr. Tryan out of her affection for Mr. and Mrs. Crew who have been her oldest and kindest friend. Beautiful and kind Janet has not had a easy life, especially after marrying Dempster, who turns out to be an alcoholic with a violent temper, who has been subjecting Janet to domestic violence for 15 years of their marriage. Deprived of children and constantly subject to severe physical violence, with no support system except an old mother, Janet, herself turns into an alcoholic to numb herself of the mental and physical degradation. As things, take a turn for worse for Janet and she falls further into the abyss, rescue, comes in the most unexpected manner, giving her back, hope and spiritual sustenance.

George Elliot finally weaved her magic on me and I am still reeling from her talent, her insightfulnes and her ability to write prose as if she was painting a picture through words! I have no idea, if and when I will read her other works, but for now this first novel of her’s has rendered me speechless. I do not like reading tragedies, but her tragedies, are woven in hope and the rejuvenating spirit of love, that sustains us, even when we lose the loved ones! The first novella, requires patience as it is one of her less confident works and does not do much to keep your interest from wandering. However, it is a short novella and by the second one, you are for sure hooked. The brilliance of Ms. Elliot  I think lies in the characters she drew – in short novellas, where there is only limited ability to bring out the protagonists, she not only brings them to life, but she makes us feel that we have known them, and known them well for a very long time. Another thing that really really impressed me was her prose, her wonderful description of gardens, and chapels and homes! Here’s a sample of what I mean – the castellated house of grey-tinted stone, with the flickering sunbeams sending dashes of golden light across the many-shaped panes in the mullioned windows, and a great beech leaning athwart one of the flanking towers, and breaking, with its dark flattened boughs, the too formal symmetry of the front; the broad gravel-walk winding on the right, by a row of tall pines, alongside the pool—on the left branching out among swelling grassy mounds, surmounted by clumps of trees, where the red t of the Scotch fir glows in the descending sunlight against the bright green of limes and acacias; the great pool, where a pair of swans are swimming lazily with one leg tucked under a wing, and where the open water-lilies lie calmly accepting the kisses of the fluttering light-sparkles; the lawn, with its smooth emerald greenness, sloping down to the rougher and browner herbage of the park, from which it is invisibly fenced by a little stream that winds away from the pool, and disappears under a wooden bridge in the distant pleasure-ground; and on this lawn our two ladies, whose part in the landscape the painter, standing at a favourable point of view in the park, would represent with a few little dabs of red and white and blue.  Despite the somber subjects, Ms. Elliot also carefully manages to add in humor and satire at the then society and its follies – “What a resource it is under fatigue and irritation to have your drawing-room well supplied with small mats, which would always be ready if you ever wanted to set anything on them!” Most importantly, Ms. Elliot seemed to have been blessed with a deep understanding of man’s heart and the ability to express it to the T – “Cruelty, like every other vice, requires no motive outside itself—it only requires opportunity“. There is so much I can say about this book and so many things I can quote and  in spite of all my enthusiasm, I know these works are not perfect – there are some cliched events and convenient deaths and sometimes, things get too much descriptive. Yet such is the power of the writing of Ms. Elliot, that you only want and only will remember the brilliant parts, making you feel, that this is a work of absolute marvel!

n

%d bloggers like this: